ostZone - Bela Álvarez 18. September 2024

ostZONE came about in cooperation with the Dresden association Kultur Aktiv e.V. and will be continued in the Albertinum on 17 August 2024.
 

My name is Bela Álvarez and I am a Mexican designer and artist who is currently living in Dresden. As an artist, I specialise in working with paper, textiles, embroidery and photo embroidery.

Dresden, Revolutionary Romances? Globale Kunstgeschichten in der DDR, SKD, Zeitzeuginnen-Workshop

I am particularly interested in designing and creating fantasy figures and masks using paper and digital media. At the creative workshops I run for children and adults, I use various techniques and materials. In recent years, I have focused on humanising archives by activating them, mainly using textiles and photographic or image archives.

In using these elements, I am trying to rescue and reactivate memories. I use personal archives and other people’s family archives, but am also interested in archives on specific themes. My aim is to give new meaning to the forgotten textiles and images that are revealed.

Dresden, Revolutionary Romances? Globale Kunstgeschichten in der DDR, SKD, Zeitzeuginnen-Workshop

In developing this concept, I found the perfect format to share my work and my experiences for ostZONE in cooperation with Kultur Aktiv e. V. As part of the exhibition “Revolutionary Romances? Global Art Histories in the GDR”, I organised a series of workshops entitled “Holding the Strings” (“Die Fäden in der Hand halten”).

I ran the workshops with Montserrat Butter. She showed participants how our work with pictures during the workshop was connected to research into those pictures’ history. Her words opened a window onto the past as she told her own story. A Chilean, she and her family came to Dresden in 1980 having been forced to leave their country because of the ideology they believed in and the ideology they were forced to flee. During these sessions, she told the workshop participants about her story and her experiences.

Dresden, Revolutionary Romances? Globale Kunstgeschichten in der DDR, SKD, Zeitzeuginnen-Workshop

Both the exhibition and the workshop gave us a new glimpse into the GDR and made us think about and analyse topics such as exile, migration, solidarity, racism, freedom, friendships, ideals and a utopian vision.

Dresden, Revolutionary Romances? Globale Kunstgeschichten in der DDR, SKD, Zeitzeuginnen-Workshop

Each participant had the opportunity to identify with an image; to make a connection and to work on it. People of various ages were involved; some of them had lived through those times, while others from later generations had only ever heard about others’ experiences. They all began embroidering the images with each story, each memory in mind.

No previous knowledge of embroidery was required. A few stitches and a host of colourful threads brought the photos back to life, and at the end of the workshop everyone had an interesting story to tell. It was rather like deconstructing the photographs in order to honour them; each captured a story, and a hand was ready to give each of them a new interpretation and a new life. Images wield power just like the hands that manipulate them, and that understanding was the main aim of my workshop.

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