ostZONE came about in cooperation with the Dresden association Kultur Aktiv e.V. and will be continued in the Albertinum on 17 August 2024.
My name is Bela Álvarez and I am a Mexican designer and artist who is currently living in Dresden. As an artist, I specialise in working with paper, textiles, embroidery and photo embroidery.
I am particularly interested in designing and creating fantasy figures and masks using paper and digital media. At the creative workshops I run for children and adults, I use various techniques and materials. In recent years, I have focused on humanising archives by activating them, mainly using textiles and photographic or image archives.
In using these elements, I am trying to rescue and reactivate memories. I use personal archives and other people’s family archives, but am also interested in archives on specific themes. My aim is to give new meaning to the forgotten textiles and images that are revealed.
In developing this concept, I found the perfect format to share my work and my experiences for ostZONE in cooperation with Kultur Aktiv e. V. As part of the exhibition “Revolutionary Romances? Global Art Histories in the GDR”, I organised a series of workshops entitled “Holding the Strings” (“Die Fäden in der Hand halten”).
I ran the workshops with Montserrat Butter. She showed participants how our work with pictures during the workshop was connected to research into those pictures’ history. Her words opened a window onto the past as she told her own story. A Chilean, she and her family came to Dresden in 1980 having been forced to leave their country because of the ideology they believed in and the ideology they were forced to flee. During these sessions, she told the workshop participants about her story and her experiences.
Both the exhibition and the workshop gave us a new glimpse into the GDR and made us think about and analyse topics such as exile, migration, solidarity, racism, freedom, friendships, ideals and a utopian vision.
Each participant had the opportunity to identify with an image; to make a connection and to work on it. People of various ages were involved; some of them had lived through those times, while others from later generations had only ever heard about others’ experiences. They all began embroidering the images with each story, each memory in mind.
No previous knowledge of embroidery was required. A few stitches and a host of colourful threads brought the photos back to life, and at the end of the workshop everyone had an interesting story to tell. It was rather like deconstructing the photographs in order to honour them; each captured a story, and a hand was ready to give each of them a new interpretation and a new life. Images wield power just like the hands that manipulate them, and that understanding was the main aim of my workshop.
Keep Reading:
ostZone - Hung The Cao
The "ostZONE" series, part of the special exhibition "Revolutionary Romances? Global Art Histories in the GDR", created a space within the Albertinum for anyone to share conversations, questions, and memories of life in the GDR and in modern-day eastern Germany. Read about Hung The Cao and his workshop with contemporaries "Jeans nach Dienstschluss" ("Jeans after Hours").
Revolutionary Romances: Into the Cold - Alternative Trajectories into (Post-)Communist Europe
On 13 October 2022, the Albertinum of the Staatliche Kunstsammlungen Dresden hosted the conference “Revolutionary Romances: Into the Cold – Alternative Artistic Trajectories into (Post-)Communist Europe.” A report by Julia Tatiana Bailey and Christopher Williams-Wynn.
Ortsgespräche ("Local Conversation"): The Schenkung Sammlung Hoffmann in Dialogue with Prösitz
With the “Ortsgespräche” series, the Schenkung Sammlung Hoffmann is making itself available for art locations in the so-called rural areas of Saxony, where the diversity and social relevance of contemporary art is sometimes discussed with particular vehemence. The Hoffmann Collection has cooperated with the rural village Prösitz and the female artists working on the Künstlergut (artist's estate) Prösitz, where they produced thought-provoking art concerned with the A14 freeway that dominates the local resident's day-to-day lives.