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Palais garden #3 - Vermin and virtu: Possible conflicts with biodiversity in the museum context
The garden at the Japanisches Palais is a place where human beings, plants and animals can be said to coexist. It is a place where ecological cycles can be seen and natural processes observed. In a museum’s inner courtyard, however, we are caught between teaching people about the topics of the future and preserving valuable art by preventing pest damage. How can that balance be maintained?
On the acquisition stories of Cuban art at the Kupferstich-Kabinett
The Kupferstich-Kabinett is home to a significant collection of Cuban prints and posters that came to the GDR after the Cuban Revolution in 1959. While they were earmarked for the collection as part of the cultural exchange between the two socialist states, its director often did not welcome them with open arms. Olaf Simon, conservator at the Kupferstich-Kabinett, wrote about how they came to be part of the collection.
Oskar Zwintscher. The Unknown Masterpiece
Seventeen works from the artist’s oeuvre – which originally comprised around 150 paintings – were examined in the research project “Oskar Zwintscher (1870–1916). The Unknown Masterpiece” by the Staatliche Kunstsammlungen Dresden in the Albertinum, funded by the Friede Springer Stiftung, subjecting them to art technology analysis in the painting restoration workshop. Here you can gain insight into the complexity found in the structure of Oskar Zwintscher’s paintings.
